There are traditional pictures of a title called Hyakuchozu (Pictures of about 100 birds, or 100 butterflies), Hyakazu (Pictures of 100 flowers), Gunchuzu(Pictures of various kind of insects), Kaizukushi(Pictures of various kind of shellfishes), etc. in Japan. It draws many things of same class. These also include the meaning of "lucky implication". There is significance in including a multitude of things in one scene. It is not big a problem that butterflies and moths which feed on differed plants and are active at different period, are painted on one screen of the picture Hyakuchozu (100 butterflies)*.For example, Hyakutyouzu which Okyo Maruyama drew is scene made by his imagination, but it is full of the actual feeling. It's a result of his detail sketches and composition.
For example, suppose that the Hyakutyozu painted by the technique of depicting different time periods in the same picture. It is possible that he painted all various butterflies observed from spring to summer. And, linking the same types of butterfly on the screens with a line could lead one to think of their course of flight from flower to flower.
One of the charms of the picture is skillful mixture of reality and imagination. We are sure that Okyo have observed many butterflies outdoors, and having sketched it.
It is rare for a painting to depict the natural form of butterflies as the main element without being anthropomorphized or made into a pattern. The hyakutyouzu is the result of contact of natural science and art, also result of mixture of observation and expression.
What would painting from nature be like in the 21st century? We want to express the essence of life based on contemporary biology. Because,activities of biohistory include expression in science. We seek a new expression of life(nature),and learn also from spirit of Okyo Maruyama. |