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| Our theme for the year has been the human being. We have examined the periphery of the human spirit through the avenues of speech, the brain (consciousness), and psychology (affordance). In our concluding segment, we welcome the psychiatrist Kazushige Shingu, who comes to grips with spirit itself. I had always thought of someone like Freud as a figure from the past, but I was surprised at his unexpected concordance with the Biohistory Journal. First, I had thought the psyche was the subject of science because insanity could be classified. Also, as a result of noticing that self-referential character, my world view was that the psyche could not admit a narrative, and I sought the answer in history. I had also thought of expression in the form of narrative. We had a very interesting discussion that, among the sounds recorded in the tape recorder of the brain, asked the question, what was the nature of auditory hallucinations, music, and words, and what relationship did they have? I very much hope that you access Talk on the Web. As part of the development of the conversation about the classification of insanity, Dr. Yoshida said, "Classification is a manifestation of the tenor of the times." He presented us with an opportunity filled with an abundant narrative of the present created through classification and not from the ocean of information. In Research, Dr. Kashima elucidates the subjective brain mechanism through a modified graphic Rorschach test. Dr. Kato pointed out the importance of considering the similarity between the DNA character sequence and the character string in humans from the standpoint of focusing on the close link between the body and psychological aspects in the genesis of movement. (The genome and language!) Dr. Yanagimachi has maintained a consistent involvement with mammalian reproduction. His interest began in childhood when he collected frogÕs eggs while playing in the mountains. He retained that approach to examine the process of the birth of living creatures and succeeded in cloning a mouse. (Keiko Nakamura) |
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